Porkbelly Press is an independent micro press specializing in handbound, small & open edition runs of chapbooks, micro chapbooks, zines, broadsides (letterpress & lithograph & screenprint), and Sugared Water.
by Sarah Nichols
Sarah’s collection of centos investigates and blends the work of Sylvia Plath and C.D. Wright, engaging in conversation, one cradled in the pitch of shadows and “light, soaked with bones.” it is “a box of poison too pure for longings,” a release, a dichotomy. The speaker is, among other things, the “magician’s girl who does not flinch. She is so sweet in a blackout of knives.”
Donovan Borger, Kersten Christianson, Tim Kahl, Samantha Kennedy, Suzanne Langlois, Daniel Lassell, Farryl Last, Samantha Memi, Elaine Mintzer, Tracy Mishkin, JoDean Nicolette, Sara Ryan, Stephanie Tom, Loretta Diane Walker, & James A. H. White.
limited edition, 100
by Madeleine Barnes
A photographic chapbook of light and shadow.
“Given that nothing can travel faster than light, these arresting images are also meditations on time, full of beauty and disquiet, full of stories not yet fully illuminated but discovered and expressed in Madeleine Barnes’s radiant poetic intuition.” —Catherine Barnett
limited edition of 200
by Sarah Ann Winn
“Some stories are unspeakable,” warns the opening poem of Ever After the End Matter (Porkbelly Press, 2019), and “in retelling…sometimes sisters fragment.” In this chapbook, Sarah Ann Winn offers an exquisitely curated collection of fairy-tale fragments, startling (and sometimes smoldering) scraps and remnants. […] Here artifacts suggest appetites, and with acute lyrical care, poems tell what longing can do to the body.” (Sally Rosen Kindred, author of Says the Forest to the Girl)
by Sara Ryan
Never Leave the Foot of an Animal Unskinned (Porkbelly Press, 2018) is an investigation of the history and practice of taxidermy via hybrid text of poetry and micro-essay endnotes. In blood, bone, feather, Ryan weaves a spell to enchant the taxidermy enthusiast, museum explorer, poet—the curious. These pieces are a combination of tender & strange, delightful in their approach to the combination of grotesque & beautiful & trophy-keeping that makes up taxidermy—this practice of preservation. Ryan’s hybrid form is a deepening of the subject, the stitching of memory & curiosity & invention.
by Sally Rosen Kindred
Kindred offers an invitation to join the wolf & the girl in the forest, to walk in this fairy tale land of Rapunzel, Little Red, and Sleeping Beauty. Here, the forest speaks. “Drink the world / you won’t admit you want—” it says, “This / is the story; to wake // you must claim it, crow-close in the telling. Climb / in.” She empowers these women, crow-touched and sharp as a tempered blade, realizing a “story where / the hard-skinned woman / carries thunder and bread / through the wood.” This is a chapbook of poems full of dandelion, ash, and bone—she asks each woman or girl to make a choice, to realize a choice is possible: “What is it that waits / inside her, a nest / or a knife, a huntsman / or an open door?” (Porkbelly Press, 2018)
by Lisette Alonso
In these poems, Sofia is a girl full of dreams and nightmares, her world so distilled by experience that the line between real/not real blurs. There’s a dark edge to everything, a girl growing up in Hialeah where things are bright, but everything also touches shadow. She plays dead “because death calls for stillness,” she “waits to be discovered as all dead do,” she imagines and she plays and she hides, ever aware and questioning.
by Sarah Nichols
Dreamland for Keeps is a whisper in the dark giving voice to Elizabeth Short through poetry of erasure. Nichols’ poems return agency to the spirit of a woman so often sensationalized, examining Short’s many names, her impression forever etched on the American consciousness. For her, death is not the end of the story; in some ways the puzzle is never solved. (Porkbelly Press, 2018)
numbered editions of 50