2017 Chapbook Lineup

Thank you to everyone who sent manuscripts to our 2017 chapbook call, for your patience in our review process, and for your gorgeous poems, essays, and fictions.

This reading period, we’ve selected four works of poetry. We’re excited to welcome these poets to the press family, and so very honored to be part of bringing these titles into the world.

chapbooks

Found Footage by Maggie Woodward

Mexicamericana by Eloisa Amezcua

Blackbird Whitetail Redhand by Lindsay Lusby

Daughter Shaman Sings Blood Anthem by Kristi Carter

notes

M. Brett Gaffney’s Feeding the Dead, a chapbook of poems accepted last year, is scheduled for release later this month.

 

 

January’s Good Stuff

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Pray, Pray, Pray: Poems I wrote to Prince in the Middle of the Night (Porkbelly Press, 2015)
by E. Kristin Anderson » www.ekristinanderson.com

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Haunting the Last House on Holland Island, Fallen into the Bay (Porkbelly Press, 2016)
by Sarah Ann Winn » @blueaisling » bluebirdwords.com

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A Map of the Farm Three Miles from the End of Happy Hollow Road (Porkbelly Press, 2016)
by Amorak Huey

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Lost Birds of the Iron Range (Porkbelly Press, 2017)
by Amber Edmondson

Lost Birds of the Iron Range // Amber Edmondson

Lost Birds of the Iron Range (Amber Edmondson) takes the imagery of birds and spins it into a landscape of imagined moments, underground, above ground, often a secret chamber, bird held in the reliquary of a chest or belly or a cavern, subsisting on what warm and wriggling things can be found in such places. This is an excavation of feather, bone, limestone and lace: “a stowaway, a secret, a weathered map, leading back home.” (Porkbelly Press, 2017) » excerpt & more

about the poet

Amber Edmondson is a poet and book artist who lives in Michigan’s Upper Peninsula, near Lake Superior. Her work has appeared in Border Crossing, Menacing Hedge, and Stirring: A Literary Collection, among others. Her first chapbook, Darling Girl, is available from dancing girl press.

about the cover art & artist

Mary Woodworth » marywoodworth.com
title: “Navigating the Highlands”
media: collagraph
size: 30 x 22 inches

SKY+SEA

SKY+SEA is an anthology of poetry, prose, and art inspired by the stars, planets, nebulae, comets, the depths of the ocean, Galileo, sailors navigating by constellations, omens, shooting stars, and divination. » more

the contributors

Stacey Balkun, Lori Sambol Brody, Zelda Chappel, A.E. Clark, Tyree Daye, Kelsey Dean, Carlina Duan, Chelsea Eckert, Jennifer A. Howard, Sonja Johanson, Anita Olivia Koester, Sandra Marchetti, Ryan Mattern, Laura Sloane Patterson, Nicole Rollender, Jason Sears, Erin Elizabeth Smith, Kitsuko Steinman-Arendsee, and Nicole Tong.

Goodbye, 2016 Bacon – AKA December News

(News, events, & good things from our poets & writers.)

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Poems for Ivan (Porkbelly Press, 2016)
by Sara Adams » kartoshkaaaaa.com

  • A new interview over at Speaking of Marvels! One of our favorite pieces of advice, aside from ditching projects that suck: “Have a cat. He will love you no matter how many words you can put together.”

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My Heart in Aspic (Porkbelly Press, 2015)
by Sonya Vatomsky » sonyavatomsky.com

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A Map of the Farm Three Miles from the End of Happy Hollow Road (Porkbelly Press, 2016)
by Amorak Huey » amorakhuey.net

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Pray, Pray, Pray: Poems I wrote to Prince in the Middle of the Night (Porkbelly Press, 2015)
by E. Kristin Anderson » www.ekristinanderson.com

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Feeding the Dead (Porkbelly Press, 2017)
by M. Brett Gaffney

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The Autobiography of a Love Not Mine (Porkbelly Press, 2014)
by Hilda Weaver

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Ghost Tongue (Porkbelly Press, 2016)
by Nicole Rollender » www.nicolerollender.com

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bindweed & crow poison: small poems of stray girls, fierce women (Porkbelly Press, 2016)
by Robin Turner

  • a micro review of Robin’s chapbook via James Brush & Via Negativa.

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Apples or Pomegranates (Porkbelly Press, forthcoming 2017)
by Anita Olivia Koester

  • Anita is winner of the Midwest Gothic Lake Prize, poetry.
  • her work received a Pushcart nomination from Shot Glass Journal.

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inter: burial places (Porkbelly Press, 2016)
by Billie R. Tadros

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Lost Birds of the Iron Range (Porkbelly Press, 2017)
by Amber Edmondson

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Ghost Skin (Porkbelly Press, 2016)
by Wren Hanks

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midnight blue (Porkbelly Press, 2015)
by Vanessa Jimenez Gabb

  • Vanessa will also be reading at Berl’s Brooklyn Poetry Shop on January 7th, perhaps even from her own Porkbelly Press title, midnight blue, and probably from her very recently released full-length book!

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Set the Garden on Fire (Porkbelly Press, 2015)
by Chen Chen

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Goodbye, 2016! See you soon, 2017.

Sugared Water 005

Sugared Water‘s fifth issue is bound in a hand-pulled print cover, this time a combination of screenprinting and letterpress. SW005 contains poetry & creative nonfiction essays. 80 pages, $12. Limited to an edition of 100. » more about this issue

Design, printing & binding by printmaker Nicci Mechler.

contributors

E. Kristin Anderson, Catherine Arra, Tammy Bendetti, Alyse Bensel, Sheila Black, Ariella Carmell, Susana H. Case, Su Cho, A.E. Clark, James Croteau, Carlina Duan, Patrick James Errington, Wren Hanks, Sonja Johanson, Eve Kenneally, Michal Leibowitz, Minadora Macheret, Laura K. McRae, Natalia Mujadzik, Tanya Muzumdar, JoDean Nicolette, Susan Rich, Thadra Sheridan, Shakeema Smalls, and Amanda Stovicek.

inter: burial places (Billie R. Tadros)

Billie R. Tadros’ inter: burial places is at once like a confession and a chant, carrying us through a narrative of seeking, something lost, desire, full of language like “your lips always decanting like prayer.” It feels urgent and dark and betwixt what was and what will be—even the poem titles play with sound and definition. “Everything I know about layers lies your body,” and “I love you irrationally. You love me like rationing.” are love letter to the turn of language, meaning, and the she in these poems. This is a masterful play at word and line and poem, a cut and stitched love song written in music and ash and heart meat.  (Porkbelly Press, 2016) » more info & excerpt

about the poet

Billie R. Tadros is a doctoral candidate in English at the University of Louisiana at Lafayette and a graduate of the MFA program in Poetry at Sarah Lawrence College. She is the author of another chapbook, Containers (Dancing Girl Press, 2014). Her work has also appeared in The Boiler, The Collapsar, Gigantic Sequins, Horse Less Review, Kindred, Menacing Hedge, Tupelo Quarterly, Wicked Alice, Word Riot, and others, and in the anthologies Bearers of Distance (Eastern Point Press, 2013), Women Write Resistance: Poets Resist Gender Violence (Hyacinth Girl Press, 2013), and The Queer South (Sibling Rivalry Press, 2014). A poet-scholar with research interests in feminist theory, queer theory, gender and sexuality studies, and disability studies, she is also currently working on a narrative research project exploring the gendered and sexual implications of traumatic injuries to women runners and seeking to articulate a feminist poetics of the injured female body. You can find her at www.BillieRTadros.com and on Twitter at @BillieRTadros.

about the cover artist

Joline Costello Hartig received her B.F.A. in Printmaking and Art Education from Northern Kentucky University. After several years of teaching K-12 Art, she chose to stay at home raising her four children. She has recently started an after school art program at her children’s school and works in her home studio in the beautiful hills of Camp Springs, Kentucky. She inherited her printing press from her mother, who was also a local printmaker and landscape artist. This heritage serves as strong inspiration. Joline continues to pursue making abstracted images that reflect a spirituality and concern for nature and our environment. She has exhibited her work over the years in many group shows and is deeply involved in keeping the printmaking tradition alive in Northern Kentucky.

Cover art: “Clear Signals,” monotype, 20 x 20 inches