Porkbelly’s January News

(from our poets & authors—readings, happenings, reviews, books, and news)

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Rooted by Thirst (Porkbelly Press, 2016)
by Tina Mozelle Braziel

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My Heart in Aspic (Porkbelly Press, 2015)
by Sonya Vatomsky » @coolniceghost

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Dreamland for Keeps (Porkbelly Press, 2018) & How Darkness Enters a Body (Porkbelly Press, 2018) by Sarah Nichols » @onibaba37

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Feeding the Dead (Porkbelly Press, 2017)
by M. Brett Gaffney « blog

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Found Footage (Porkbelly Press, 2018)
by Maggie Woodward

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Poems for Ivan (Porkbelly Press, 2016)
by Sara Adams » kartoshkaaaaa.com

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Pray, Pray, Pray: Poems I wrote to Prince in the Middle of the Night (Porkbelly Press, 2015) by E. Kristin Anderson » www.ekristinanderson.com

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How Darkness Enters a Body // Sarah Nichols

“In this darkness, desire is safe,” begins the title poem for Sarah Nichols’ How Darkness Enters a Body. In this darkness, desire is safe. There are secrets here, confessions. The poet brings us to the photos of Diane Arbus, inspecting contact sheets and images, mining poems from silver embedded in emulsion. Black and white photographs transformed into ekphrastic lines, light and shadow, poet leading reader to artist to begin a conversation. The speaker’s voice is sure, whispering to us in the way Arbus’ images do, pools of darkness unexpected and edged, like shadows thrown under an eclipse. Confront her or take her hand—these and more choices are yours:  “Here is your tongue, sister. / Let me share it.”  (Porkbelly Press, 2018) » available in our shop » more info

 

about the poet

Sarah Nichols lives and writes in Connecticut. She is the author of three chapbooks, including She May Be a Saint (Hermeneutic Chaos Press, 2016) and Edie (Whispering): Poems from Gray Gardens (Dancing Girl Press, 2015). She also co-edits Thank You for Swallowing, an online journal of feminist protest poetry. Her poetry and essays have also appeared and are forthcoming in Queen of Cups, The RS 500, Rogue Agent, and Ekphrastic Review.

excerpt

SOMETHING WAS THERE AND NO LONGER IS

After Inadvertent Double Exposure of a Self Portrait and Images of Times Square, NYC, 1957, by Diane Arbus

I haunt this place now. Under the
neon, I pass between worlds. The

spirit photograph no one wants to
believe.

I catch my subjects so easily: the
woman, poised before the next cigarette,

almost recognizes herself in the
snare of my lens. Or the crowd,

thinking themselves safe in the light
of the next dime show miracle.

I don’t dare to shut my eyes.

End of Year News

End of year news (December!) for our Porkbelly Press poets & writers:

Dreamland for Keeps (Porkbelly Press, 2018) & How Darkness Enters a Body (Porkbelly Press, 2018) by Sarah Nichols » @onibaba37

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Apples or Pomegranates (Porkbelly Press, 2017)
by Anita Olivia Koester » anitaoliviakoester.com

  • “Coronation,” a sonnet crown, was nominated for a Pushcart by Pittsburgh Poetry Review.
  • Anita’s poem “Avowal” won the Gwendolyn Brooks Poetry Award.

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Love Me, Anyway (Porkbelly Press, 2018)
by Minadora Macheret

  • “Baba Yaga: Her Almost Origin Story” from bramble & thorn was nominated for a Pushcart Prize.

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MEXICAMERICANA (Porkbelly Press, 2017)
by Eloisa Amezcua » www.eloisaamezcua.com

  • “Watching Underworld, Inc Episode 3: Human Cargo” from Mexicamericana was nominated for a Pushcart Prize.

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Feeding the Dead (Porkbelly Press, 2017)
by M. Brett Gaffney « blog

  • “Hellhound, Lost” from Feeding the Dead was nominated for a Pushcart Prize.

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Daughter Shaman Sings Blood Anthem (Porkbelly Press, 2017)
by Kristi Carter » @kristixcarter

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Blackbird Whitetail Redhand (Porkbelly Press, 2018)
by Lindsay Lusby

  • We’re working on finishing up the design of the cover for this chapbook. Lindsay blogged some thoughts about letterpress. Blackbird Whitetail Redhand will ship in early 2018.

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November’s Good Stuff

Good news, interviews, happenings, & pubs from our Porkbelly family.

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Dreamland for Keeps (Porkbelly Press, 2018) & How Darkness Enters a Body (Porkbelly Press, 2018) by Sarah Nichols » @onibaba37

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Apples or Pomegranates (Porkbelly Press, 2017)
by Anita Olivia Koester » anitaoliviakoester.com

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The Girl (Porkbelly Press, 2017)
by Donna Vorreyer » donnavorreyer.com

  • Some Magic” is up on SWWIM. A little spellwork as we go into winter.

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Dry Spell (Porkbelly Press, 2016)
by Patrick Kindig »

  • a new poem, “PDA,” in The National Poetry Review.

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A Map of the Farm Three Miles from the End of Happy Hollow Road (Porkbelly Press, 2016) by Amorak Huey » amorakhuey.net

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October’s Bacony Goodness

Good news, interviews, happenings, & pubs from our Porkbelly family.

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The Girl (Porkbelly Press, 2017)
by Donna Vorreyer » donnavorreyer.com

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A Map of the Farm Three Miles from the End of Happy Hollow Road (Porkbelly Press, 2016) by Amorak Huey » amorakhuey.net

Have you watched a skilled butcher break down a side of beef? Such precision, such devastation, the way the final product is not recognizably related to the slab of meat we started with—this teaches us something important about art. About hunger.

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Dreamland for Keeps (Porkbelly Press, 2018) & How Darkness Enters a Body (Porkbelly Press, 2018) by Sarah Nichols » @onibaba37

  • She May Be a Saint (Hermeneutic Chaos Press, 2016) was part of the Poetry Center Chapbook Exchange!
  • Four poems up at Anti-Heroin Chic: “Are You Pregnant?,” “Skyfall,” “This is Not a Redemption Story, Part One,” and “This is Not a Redemption Story, Part Two.”

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Apples or Pomegranates (Porkbelly Press, 2017)
by Anita Olivia Koester » anitaoliviakoester.com

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My Heart in Aspic (Porkbelly Press, 2015)
by Sonya Vatomsky » www.sonyavatomsky.com

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Daughter Shaman Sings Blood Anthem (Porkbelly Press, 2017)
by Kristi Carter » @kristixcarter

  • Kristi’s book Cosmovore (Aqueduct Press, 2017) is available!

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Dry Spell (Porkbelly Press, 2016)
by Patrick Kindig »

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Feeding the Dead (Porkbelly Press, 2017)
by M. Brett Gaffney « blog

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August’s Bacony Goodness

News, publications, reviews, & good stuff from our Porkbelly family:

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A Map of the Farm Three Miles from the End of Happy Hollow Road (Porkbelly Press, 2016) by Amorak Huey » amorakhuey.net

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Set the Garden on Fire (Porkbelly Press, 2015)
by Chen Chen » chenchenwrites.com

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Ghost Tongue (Porkbelly Press, 2016)
by Nicole Rollender »  www.nicolerollender.com

  • “The Luster of Everything I’m Already Forgetting” won the 6th annual Gigantic Sequins Poetry Contest!
  • Nicole’s collection Louder Than Everything You Love is now available via Five Oaks Press.

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The Girl (Porkbelly Press, 2017) by Donna Vorreyer

  • “The Lost Art of Giving Up” appears in Glass.

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Dreamland for Keeps (Porkbelly Press, 2018) & How Darkness Enters a Body (Porkbelly Press, 2018) by Sarah Nichols

  • three of Sarah’s Black Dahlia erasure poems, “Her Lost Days,” “Hollywoodland,” and “The Prettiest Star” are up at Rag Queen Periodical.
  • Sarah’s micro chapbook, How Darkness Enters a Body, is forthcoming in 2018.

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July’s Hot Summer Bacon

Good news, happenings, releases, reviews (& more) from our Porkbelly family:

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Ghost Tongue (Porkbelly Press, 2016)
by Nicole Rollender » www.nicolerollender.com

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MEXICAMERICANA (Porkbelly Press, 2017)
by Eloisa Amezcua » www.eloisaamezcua.com

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My Body Is a Poem I Can’t Stop Writing (Porkbelly Press, 2017)
by Kelly Lorraine Andrews » kellyandrewspoetry.com

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Dry Spell (Porkbelly Press, 2016)
by Patrick Kindig » pdkindig.wordpress.com

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Pray, Pray, Pray: Poems I wrote to Prince in the middle of the night (Porkbelly Press, 2015) by E. Kristin Anderson » www.ekristinanderson.com

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A Map of the Farm Three Miles from the End of Happy Hollow Road (Porkbelly Press, 2016) by Amorak Huey » amorakhuey.net

  • Amorak’s second full length collection, Boom Box, will appear in Sundress Publications’ 2019 catalog!

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Dreamland for Keeps (Porkbelly Press, 2018)
by Sarah Nichols

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