March’s Good Stuff

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Pray, Pray, Pray: Poems I wrote to Prince in the Middle of the Night (Porkbelly Press, 2015) by E. Kristin Anderson » www.ekristinanderson.com

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The Girl (Porkbelly Press, 2017)
by Donna Vorreyer » donnavorreyer.com

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Ghost Tongue (Porkbelly Press, 2016)
by Nicole Rollender » www.nicolerollender.com

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Ghost Skin (Porkbelly Press, 2016) & gar child (Porkbelly Press, 2018)
by Wren Hanks » tumblr

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Love Me, Anyway (Porkbelly Press, 2018)
by Minadora Macheret

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Diary of a Filthy Woman (Porkbelly Press, 2018)
by Noor Hindi

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Dreamland for Keeps (Porkbelly Press, 2018) & How Darkness Enters a Body (Porkbelly Press, 2018) by Sarah Nichols » @onibaba37

The Blessings of the Guns” appears in Five:2:One.

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Centralia (Porkbelly Press, 2015)
by Sarah Gzemski » sgzemski.com

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Feeding the Dead (Porkbelly Press, 2016)
by M. Brett Gaffney

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February’s Good News & Good Reads

(News, reviews, happenings, and readings from our Porkbelly poets & authors)

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Pray, Pray, Pray: Poems I wrote to Prince in the Middle of the Night (Porkbelly Press, 2015) by E. Kristin Anderson » www.ekristinanderson.com

  • EKA’s poem “Jumping the Fuck Shark” appears in the new Tinderbox Poetry Journal.
  • another erasure, “The light fell in,” appears in Cotton Xenomorph.
  • Come As You Are (Anomalous Press, 2018), an anthology of 90s pop culture, edited by EKA, is just out!
  • Her new chapbook, Seventeen XVII (Grey Book Press, 2018), is available.
  • Other achievements, including a chapbook, are listed in her latest blog post!

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The Autobiography of a Love Not Mine (Porkbelly Press, 2014)
by Hilda Weaver

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A Map of the Farm Three Miles from the End of Happy Hollow Road (Porkbelly Press, 2016) by Amorak Huey » amorakhuey.net

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Ghost Skin (Porkbelly Press, 2016)
by Wren Hanks » tumblr

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Set the Garden on Fire (Porkbelly Press, 2015)
by Chen Chen » chenchenwrites.com

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Love Me, Anyway (Porkbelly Press, 2018)
by Minadora Macheret

  • Minadora’s poem “Baba Yaga: Her Almost Origin Story” from Bramble & Thorn (Porkbelly Press, 2017) is nominated for a Rhysling Award.

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Feeding the Dead (Porkbelly Press, 2017)
by M. Brett Gaffney « blog

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Haunting the Last House on Holland Island, Fallen into the Bay (Porkbelly Press, 2016) by Sarah Ann Winn » bluebirdwords.com

  • Work in Come As You Are (Anomalous Press, 2018), an anthology of 90s pop culture edited by E. Kristin Anderson.

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Dreamland for Keeps (Porkbelly Press, 2018) & How Darkness Enters a Body (Porkbelly Press, 2018) by Sarah Nichols » @onibaba37

  • Work in Come As You Are (Anomalous Press, 2018), an anthology of 90s pop culture edited by E. Kristin Anderson.

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My Own Strange Beast (Porkbelly Press, 2017)
by Melissa Atkinson Mercer

  • Kanika Lawton interviews Melissa about her new collection, Knock (Half Mystic Press, 2018).
  • Featured on Sundress Publications’ The Wardrobe!

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Bodies in Water (Porkbelly Press, 2014)
by P. Andrew Miller » pandrewmiller.com

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Vein of Stone (Porkbelly Press, 2014)
by Sarah McCartt-Jackson » sarahmccarttjackson.com

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Says the Forest to the Girl (Porkbelly Press, 2018)
by Sally Rosen Kindred » sallyrosenkindred.com

  • We’ve accepted Says the Forest to the Girl, a chapbook of poetry, for our 2018 line of chaps!

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Never Leave the Foot of an Animal Unskinned (Porkbelly Press, 2018)
by Sara Ryan » sararryan.com

  • We’ve accepted Never Leave the Foot of an Animal Unskinned, a chapbook of poetry & creative nonfiction, for our 2018 line of chaps!

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Light Experiments (Porkbelly Press, 2018)
by Madeleine Barnes » madeleinebarnes.com

  • We’ve accepted Light Experiments, our very first chapbook of photography, for our 2018 line of chaps!

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2018 Chapbooks!

Our complete 2018 line of chapbooks is listed below; we’ve added three chaps to previously selected works. The first two titles are selected from our January pool of submissions, and we’ll also be publishing our first photographic chapbook (Light Experiments).

Says the Forest to the Girl by Sally Rosen Kindred (poetry)

Never Leave the Foot of an Animal Unskinned by Sara Ryan (poetry & CNF)

Light Experiments by Madeleine Barnes (photography)

Dreamland for Keeps by Sarah Nichols (erasure poetry)

Love Me, Anyway by Minadora Macheret (poetry)

Two of our 2017 books were moved to 2018:

Blackbird Whitetail Redhand by Lindsay Lusby (poetry)

Found Footage by Maggie Woodward (erasure poetry)

Congratulations to our new poets & writers & artists!
We can’t wait to work with you to bring your books into the world.

Thank you to everyone who submitted. Thank you for your patience in awaiting our reply—we took a bit longer to read this year than usual. Once again, we were given the pleasure of making some very difficult decisions. We had to say no to some books we’ll be buying when they’re released from other presses. We’re quite sure they’ll be picked up soon.

You can pre-order any combination of three, five, or all of the 2018 line, and we’ll send them as they’re finished on the binding table.

(All of our titles are individually printed, collated, trimmed & bound by hand.)

Pushcart Prize Nominations 2017

Our 2017 Pushcart Prize nominations are drawn from our anthology, bramble & thorn, and chapbooks from this year’s line:

“Tincture” by Emily Corwin from bramble & thorn

“Vestigial Epithalamium” by Erinn Batykefer from bramble & thorn

“Baba Yaga: Her Almost Origin Story” by Minadora Macheret from bramble & thorn

“Watching Underworld, Inc Episode 3: Human Cargo” by Eloisa Amezcua from Mexicamericana (Porkbelly Press, 2017)

“Hellhound, Lost” by M. Brett Gaffney from Feeding the Dead (Porkbelly Press, 2017)

“My Mother Is Certain” by Kristi Carter from Daughter Shaman Sings Blood Anthem (Porkbelly Press, 2017)

First Bacon of Fall (September’s Good News)

 

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Apples or Pomegranates (Porkbelly Press, 2017)
by Anita Olivia Koester » anitaoliviakoester.com

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Love Me, Anyway (Porkbelly Press, 2018)
by Minadora Macheret

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Haunting the Last House on Holland Island, Fallen into the Bay (Porkbelly Press, 2016) by Sarah Ann Winn » bluebirdwords.com

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A Map of the Farm Three Miles from the End of Happy Hollow Road (Porkbelly Press, 2016) by Amorak Huey » amorakhuey.net

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hiku [pull] (Porkbelly Press, 2016)
by James A. H. White

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Set the Garden on Fire (Porkbelly Press, 2015)
by Chen Chen » chenchenwrites.com

Because the word will not save you. Because an elegy is a body’s warm light unfolding. Because the tree cannot hold all of you. Because love’s glossolalia isn’t translatable. Because translation is a kind of murder. Because language is both the bread and the knife. Because we could all stand to be a little more like flowers. When I Grow Up I Want To Be A List Of Further Possibilities pairs well with a date to the zoo, the works of Paul Celan, and New York tap water. Chen Chen’s poems are hearts too big for their bodies. // @shitty_book_reviews

  • Chen’s interviewed by Allison Peters for Michigan Quarterly Review.

    “I want to write and to read poems with this kind of scrappy don’t-fuck-with-me-but-also-gahh-I’m-a-human-ness,” says Chen. // more

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MEXICAMERICANA (Porkbelly Press, 2017)
by Eloisa Amezcua » www.eloisaamezcua.com

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The Girl (Porkbelly Press, 2017)
by Donna Vorreyer » donnavorreyer.com

  • a review of The Girl is up on Glass! (review by Amorak Huey!)

These are poems to be believed. This experience is real. Fraught and complex and contradictory and imaginative and impossible, naturally, but real nonetheless.

… Vorreyer starts this collection with a bit of a mystery, our heroic girl stopping “mid-stride in the center of a crosswalk.” The world does not know what to make of her, frozen like this, getting in the way of things. The girl’s parents, the police, a priest — all of them are unable to persuade her to move. The poem ends that way: the world freaking out, the girl unflinching. // more

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Dry Spell (Porkbelly Press, 2016)
by Patrick Kindig » pdkindig.wordpress.com

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Excerpt from Kimberly Ann Southwick’s reviews of three Porkbelly Press titles on Ploughshares blog this month:

Porkbelly Press is a Cincinnati-based press that puts out chapbooks and micro-chapbooks as well as a literary magazines and anthologies. It describes itself as an “indie queer-friendly, feminist press” and produces chapbooks that are hand-stitched. Porkbelly is as diverse as its description claims, boasting titles like Eloisa Amezcua’s Mexicamericana, Billie R. Tadros’ inter: burial places, and Wren Hanks’ Ghost Skin, in addition to those reviewed below, which exemplify the high-quality writing the press values. // more

Titles reviewed include: hiku [pull] by James A. H. White, A Map of the Farm Three Miles From the End of Happy Hollow Road by Amorak Huey, and Haunting the Last House on Holland Island, Fallen Into the Bay by Sarah Ann Winn.

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Porkbelly Press tabled at the Kentucky Fried Zine Fest (Lyric Theater & Cultural Arts Center, Lexington, Kentucky). We met some fab people & scooped up cool stickers, patches, & zines! Thanks for the welcome and all the writing&activism&life conversation, KFZ!

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