Lost Birds of the Iron Range // Amber Edmondson

Lost Birds of the Iron Range (Amber Edmondson) takes the imagery of birds and spins it into a landscape of imagined moments, underground, above ground, often a secret chamber, bird held in the reliquary of a chest or belly or a cavern, subsisting on what warm and wriggling things can be found in such places. This is an excavation of feather, bone, limestone and lace: “a stowaway, a secret, a weathered map, leading back home.” (Porkbelly Press, 2017) » excerpt & more

about the poet

Amber Edmondson is a poet and book artist who lives in Michigan’s Upper Peninsula, near Lake Superior. Her work has appeared in Border Crossing, Menacing Hedge, and Stirring: A Literary Collection, among others. Her first chapbook, Darling Girl, is available from dancing girl press.

about the cover art & artist

Mary Woodworth » marywoodworth.com
title: “Navigating the Highlands”
media: collagraph
size: 30 x 22 inches

September’s Bacon

(News & happenings from/with/including/for our poets&writers)

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Haunting the Last House on Holland Island, Fallen into the Bay (Porkbelly Press, 2016)
by Sarah Ann Winn » @blueaisling » bluebirdwords.com

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Set the Garden on Fire (Porkbelly Press, 2015)
by Chen Chen » @chenchenwrites » chenchenwrites.com

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My Body is a Poem I Can’t Stop Writing (Porkbelly Press, forthcoming in 2017)
by Kelly Lorraine Andrews » kellyandrewspoetry.com

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Poems for Ivan (Porkbelly Press, 2016)
by Sara Adams » kartoshkaaaaa.com

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The Girl (Porkbelly Press, forthcoming in 2017)
by Donna Vorreyer » donnavorreyer.com

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Ghost Skin (Porkbelly Press, 2016)
by Wren Hanks » tumblr

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Pray, Pray, Pray: Poems I wrote to Prince in the Middle of the Night (Porkbelly Press, 2015)
by E. Kristin Anderson » www.ekristinanderson.com

  • EKA received a Best of the Net nomination for her work in TAB.

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Ghost Tongue (Porkbelly Press, 2016)
by Nicole Rollender » www.nicolerollender.com

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Apples or Pomegranates (Porkbelly Press, forthcoming in 2917)
by Anita Olivia Koester

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My Own Strange Beast (Porkbelly Press, forthcoming in 2017)
by Melissa Atkinson Mercer

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A Map of the Farm Three Miles from the End of Happy Hollow Road (Porkbelly Press, 2016)
by Amorak Huey » amorakhuey.net

  • Amorak’s chapbook Insomniac Circus (Hyacinth Girl Press, 2015) reviewed in KR Online‘s September micro reviews.

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What’s pink & shiny / what’s dark & hard (Porkbelly Press, 2015)
Sarah B. Boyle » www.impolitelines.com

  • Sarah’s long poem “Darling of the Wolf God” is September’s featured writer on Aspasiology. There are several responses to the poem (including one by Sonya Vatomsky), which is a pretty neat feature of the site.

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Ghost Tongue // Nicole Rollender

Ghost Tongue is a stunning blend of bone, blood, and haunting. It’s as much about what we inherit as what we carry inside to carve out and give, palm up, and the traces that linger even after a piece is gone. It’s about body and salt, absence, sweet things and marrow. It’s the ghost that speaks, the hunger that slips in. (Porkbelly Press, 2016) | available in our shop | excerpt

about the poet

Nicole Rollender’s first full-length collection, Louder Than Everything You Love (ELJ Editions), was published in late 2015. She’s author of the poetry chapbooks Arrangement of Desire (Pudding House Publications), Absence of Stars (dancing girl press & studio) and Bone of My Bone, a winning manuscript in Blood Pudding Press’s 2015 Chapbook Contest. Her work has appeared in The Adroit Journal, Alaska Quarterly Review, Best New Poets, The Journal, Memorious, Radar Poetry, PANK, Salt Hill Journal, Thrush Poetry Journal, Word Riot and West Branch, among others. She is the recipient of poetry prizes from CALYX Journal, Princemere Journal and Ruminate Magazine. She earned her MFA in poetry at the Pennsylvania State University, and is the editor of Wearables magazine. Find her online at http://www.nicolerollender.com.

cover

The cover is inkjet printed on premium matte paper. It’s trimmed down to just under 6 1/4 x 5 1/4 inches and bound by hand with heavy thread.

cover artist » Susan Yount
portfolio » susanyount.tumblr.com

Haunting the Last House on Holland Island, Fallen into the Bay // Sarah Ann Winn

This is a dream landscape and it is underwater, all the house-things, human-things curled in between blades of red seaweed and pearl-filled oyster. It is a shimmer of sunlight filtering through from the surface, the glimmer of something faceted buried in silt. This micro chapbook is exploration and memory, the way we risk ourselves to look deep in search of some half-forgotten treasure, something we’ll always go back for, no matter how far down. (Porkbelly Press, 2016) | available in our shop  |  excerpt

About the Poet

Sarah Ann Winn’s writing has appeared or is upcoming in Five Points, Hayden’s Ferry Review, Little Patuxent Review, Massachusetts Review, and Passages North, among others. Her chapbooks include Field Guide to Alma Avenue and Frew Drive (Essay Press, 2016), and Portage (Sundress Publications, 2015). She holds a Masters in Fine Arts in Creative Writing Poetry from George Mason University, as well as a Masters in Library Science from Catholic University of America. She teaches creative writing workshops and dispenses book recommendations as a free-range librarian in Manassas, Virginia, where she lives with her husband, two lovely beagle/lab mixed dogs, and one bad cat. Visit her at bluebirdwords.com or follow her @blueaisling.

Cover Art

The cover is inkjet printed on premium matte paper. It’s trimmed down to just under 6 1/4 x 5 1/4 inches and bound by hand with heavy thread.

cover artist » Angie Reed Garner
portfolio » angiereedgarner.com

bindweed & crow poison: small poems of stray girls, fierce women (Robin Turner)

 

These tiny poems are fierce records of women & girls—even the youngest are deeply rooted, even the shortest lines packed with vivid imagery hold an edge—even those pretty yellow petals float on dark, and there’s no way to know how deep it goes, or what lies underneath, except to brave it. | available in our shop | excerpt

About the Poet

Robin Turner lives, works, and daydreams in Dallas, Texas. She is a teaching artist in museums, youth shelters, and community centers, and serves as an online writing guide for homeschooled teens. Her work has appeared in Anima Poetry, Ilya’s Honey, Nonbinary Review, Red River Review, Referential Magazine, Friends Journal, and in numerous other print and online publications.

» robinsmithturner.tumblr.com

Cover Art

The cover is inkjet printed on premium matte paper. It’s trimmed down to just under 6 1/4 x 5 1/4 inches and bound by hand with heavy thread.

artist » Anita Olivia Koester
portfolio » anitaoliviakoester.com

July’s Smokin’ Hot Bacon

(News & happenings from/with/including/for our poets&writers)

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Poems for Ivan (Porkbelly Press, 2016)
by Sara Adams » kartoshkaaaaa.com

  • We All Have to Keep Our Heads, Sara’s newest micro chap of poems, is out from Ghost City Press!

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How to Leave a Farmhouse (Porkbelly Press, 2015)
by Beth McDermott

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Rooted by Thirst (Porkbelly Press, 2016)
by Tina Mozelle Braziel

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My Heart in Aspic (Porkbelly Press, 2015)
by Sonya Vatomsky » @coolniceghost

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Set the Garden on Fire (Porkbelly Press, 2015)
by Chen Chen » chenchenwrites.com

  • Chen’s “Playing in the Square” received a Best of the Net nom from TheThe Poetry.

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Ghost Tongue (Porkbelly Press, 2016) forthcoming
by Nicole Rollender » nicolerollender.com

June’s Crispy Bacon

All the good news (we’ve heard about) from our contributors:

Poems for Ivan (Porkbelly Press, 2016)
by Sara Adams // kartoshkaaaaa.com

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Ghost Skin (Porkbelly Press, 2016)
by Jennifer Hanks

  • Jennifer’s chapbook Prophet Fever (Hyacinth Girl Press, 2016) was just released. (Her chap from Porkbelly is forthcoming as of this writing.)

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hiku [pull] (Porkbelly Press, 2016)
by James A. H. White

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Everything I Own (Porkbelly Press, 2016)
by Angela Just

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Rooted by Thirst (Porkbelly Press, 2016)
by Tina Mozelle Braziel

  • a blog interview at Live Your Poem with Irene Latham, in which she says things like “We plan to burn lines of poetry into walls of our house.” Yesssss.

Emerson claims that “Colleges and books only copy the language which the field and the work-yard made.” That rings true to me, especially when I discover words like “rock-bar” and “squarings” that feel so invigorating. Lately, I’ve been thinking about the term “sistering” which means nailing one board against another for additional strength. Such concepts and words recalibrate my perspective of what makes a home, what it means to claim a place as our own. And that feeds my writing. // more

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My Heart in Aspic (Porkbelly Press, 2016)
by Sonya Vatomsky // @coolniceghost

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Set the Garden on Fire (Porkbelly Press, 2016)
by Chen Chen // chenchenwrites.com

“Except let’s not hold off on the giant cake. & let’s not hold off on being

irreversibly in love. Happiness needs no preparation or warrantee
or reason. I’m ready to say that. I’m ready to watch any romcom/action
combo where two people topple tyranny, fall in love. I’m ready
for the movie where four people topple tyranny, fall in love,

& make consensual arrangements to keep it open.
Or six people just stay in & become best friends. Or seven
billion people befriend themselves…” | more

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Pray, Pray, Pray: Poems I wrote to Prince in the middle of the night (Porkbelly Press, 2016)
by E. Kristin Anderson // @ek_anderson

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