End of Year News

End of year news (December!) for our Porkbelly Press poets & writers:

Dreamland for Keeps (Porkbelly Press, 2018) & How Darkness Enters a Body (Porkbelly Press, 2018) by Sarah Nichols » @onibaba37

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Apples or Pomegranates (Porkbelly Press, 2017)
by Anita Olivia Koester » anitaoliviakoester.com

  • “Coronation,” a sonnet crown, was nominated for a Pushcart by Pittsburgh Poetry Review.
  • Anita’s poem “Avowal” won the Gwendolyn Brooks Poetry Award.

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Love Me, Anyway (Porkbelly Press, 2018)
by Minadora Macheret

  • “Baba Yaga: Her Almost Origin Story” from bramble & thorn was nominated for a Pushcart Prize.

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MEXICAMERICANA (Porkbelly Press, 2017)
by Eloisa Amezcua » www.eloisaamezcua.com

  • “Watching Underworld, Inc Episode 3: Human Cargo” from Mexicamericana was nominated for a Pushcart Prize.

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Feeding the Dead (Porkbelly Press, 2017)
by M. Brett Gaffney « blog

  • “Hellhound, Lost” from Feeding the Dead was nominated for a Pushcart Prize.

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Daughter Shaman Sings Blood Anthem (Porkbelly Press, 2017)
by Kristi Carter » @kristixcarter

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Blackbird Whitetail Redhand (Porkbelly Press, 2018)
by Lindsay Lusby

  • We’re working on finishing up the design of the cover for this chapbook. Lindsay blogged some thoughts about letterpress. Blackbird Whitetail Redhand will ship in early 2018.

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Pushcart Prize Nominations 2017

Our 2017 Pushcart Prize nominations are drawn from our anthology, bramble & thorn, and chapbooks from this year’s line:

“Tincture” by Emily Corwin from bramble & thorn

“Vestigial Epithalamium” by Erinn Batykefer from bramble & thorn

“Baba Yaga: Her Almost Origin Story” by Minadora Macheret from bramble & thorn

“Watching Underworld, Inc Episode 3: Human Cargo” by Eloisa Amezcua from Mexicamericana (Porkbelly Press, 2017)

“Hellhound, Lost” by M. Brett Gaffney from Feeding the Dead (Porkbelly Press, 2017)

“My Mother Is Certain” by Kristi Carter from Daughter Shaman Sings Blood Anthem (Porkbelly Press, 2017)

First Bacon of Fall (September’s Good News)

 

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Apples or Pomegranates (Porkbelly Press, 2017)
by Anita Olivia Koester » anitaoliviakoester.com

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Love Me, Anyway (Porkbelly Press, 2018)
by Minadora Macheret

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Haunting the Last House on Holland Island, Fallen into the Bay (Porkbelly Press, 2016) by Sarah Ann Winn » bluebirdwords.com

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A Map of the Farm Three Miles from the End of Happy Hollow Road (Porkbelly Press, 2016) by Amorak Huey » amorakhuey.net

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hiku [pull] (Porkbelly Press, 2016)
by James A. H. White

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Set the Garden on Fire (Porkbelly Press, 2015)
by Chen Chen » chenchenwrites.com

Because the word will not save you. Because an elegy is a body’s warm light unfolding. Because the tree cannot hold all of you. Because love’s glossolalia isn’t translatable. Because translation is a kind of murder. Because language is both the bread and the knife. Because we could all stand to be a little more like flowers. When I Grow Up I Want To Be A List Of Further Possibilities pairs well with a date to the zoo, the works of Paul Celan, and New York tap water. Chen Chen’s poems are hearts too big for their bodies. // @shitty_book_reviews

  • Chen’s interviewed by Allison Peters for Michigan Quarterly Review.

    “I want to write and to read poems with this kind of scrappy don’t-fuck-with-me-but-also-gahh-I’m-a-human-ness,” says Chen. // more

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MEXICAMERICANA (Porkbelly Press, 2017)
by Eloisa Amezcua » www.eloisaamezcua.com

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The Girl (Porkbelly Press, 2017)
by Donna Vorreyer » donnavorreyer.com

  • a review of The Girl is up on Glass! (review by Amorak Huey!)

These are poems to be believed. This experience is real. Fraught and complex and contradictory and imaginative and impossible, naturally, but real nonetheless.

… Vorreyer starts this collection with a bit of a mystery, our heroic girl stopping “mid-stride in the center of a crosswalk.” The world does not know what to make of her, frozen like this, getting in the way of things. The girl’s parents, the police, a priest — all of them are unable to persuade her to move. The poem ends that way: the world freaking out, the girl unflinching. // more

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Dry Spell (Porkbelly Press, 2016)
by Patrick Kindig » pdkindig.wordpress.com

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Excerpt from Kimberly Ann Southwick’s reviews of three Porkbelly Press titles on Ploughshares blog this month:

Porkbelly Press is a Cincinnati-based press that puts out chapbooks and micro-chapbooks as well as a literary magazines and anthologies. It describes itself as an “indie queer-friendly, feminist press” and produces chapbooks that are hand-stitched. Porkbelly is as diverse as its description claims, boasting titles like Eloisa Amezcua’s Mexicamericana, Billie R. Tadros’ inter: burial places, and Wren Hanks’ Ghost Skin, in addition to those reviewed below, which exemplify the high-quality writing the press values. // more

Titles reviewed include: hiku [pull] by James A. H. White, A Map of the Farm Three Miles From the End of Happy Hollow Road by Amorak Huey, and Haunting the Last House on Holland Island, Fallen Into the Bay by Sarah Ann Winn.

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Porkbelly Press tabled at the Kentucky Fried Zine Fest (Lyric Theater & Cultural Arts Center, Lexington, Kentucky). We met some fab people & scooped up cool stickers, patches, & zines! Thanks for the welcome and all the writing&activism&life conversation, KFZ!

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July’s Hot Summer Bacon

Good news, happenings, releases, reviews (& more) from our Porkbelly family:

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Ghost Tongue (Porkbelly Press, 2016)
by Nicole Rollender » www.nicolerollender.com

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MEXICAMERICANA (Porkbelly Press, 2017)
by Eloisa Amezcua » www.eloisaamezcua.com

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My Body Is a Poem I Can’t Stop Writing (Porkbelly Press, 2017)
by Kelly Lorraine Andrews » kellyandrewspoetry.com

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Dry Spell (Porkbelly Press, 2016)
by Patrick Kindig » pdkindig.wordpress.com

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Pray, Pray, Pray: Poems I wrote to Prince in the middle of the night (Porkbelly Press, 2015) by E. Kristin Anderson » www.ekristinanderson.com

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A Map of the Farm Three Miles from the End of Happy Hollow Road (Porkbelly Press, 2016) by Amorak Huey » amorakhuey.net

  • Amorak’s second full length collection, Boom Box, will appear in Sundress Publications’ 2019 catalog!

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Dreamland for Keeps (Porkbelly Press, 2018)
by Sarah Nichols

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Eloisa Amezcua’s MEXICAMERICANA (poetry)

Eloisa Amezcua’s Mexicamericana becomes both a demarcation and blurring of the line between states, identities, culture, and selves. This meeting-place is investigated in mother/daughter, English/Spanish, citizen/citizen—how these things are seen from outside as separate, but are quite entangled—how a  woman finds her way walking with both, whatever the two may be, “furious and alive.” The river does not separate places—it touches both and nourishes both. This collection borrows its epigraph from Alberto Ríos: “The border is a line that birds cannot see.” (Porkbelly Press, 2017) » more info & excerpt

about the poet

Eloisa Amezcua is an Arizona native. She is the author of the chapbooks On Not Screaming (Horse Less Press) and Symptoms of Teething, winner of the 2016 Vella Chapbook Prize from Paper Nautilus Press. Eloisa is the founder/editor of The Shallow Ends: A Journal of Poetry. You can find her at www.eloisaamezcua.com.

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Sharmon Davidson » sharmondavidson.com

June’s Bacony Goodness

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Dry Spell (Porkbelly Press, 2016)
by Patrick Kindig » pdkindig.wordpress.com

  • 3 poems in yalobusha review :  “Prayer of Commendation,” “Boys’ Time,” & “Cento.”
  • presto“—a gorgeous poem—appears in the inaugural issue of Underblong.
  • … which inspired a micro review from Joyce Chong via wildness!

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Ghost Tongue (Porkbelly Press, 2016)
by Nicole Rollender » www.nicolerollender.com

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MEXICAMERICANA (Porkbelly Press, 2017)
by Eloisa Amezcua » www.eloisaamezcua.com

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bindweed & crow poison: small poems of stray girls, fierce women (Porkbelly Press, 2016) by Robin Turner » website

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Strangest Sea (Porkbelly Press, 2015) &
The Peace of Wild Things (Porkbelly Press, 2015)
by Ariana D. Den Bleyker » arianaddenbleyker.com

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My Body Is a Poem I Can’t Stop Writing (Porkbelly Press, 2017)
by Kelly Lorraine Andrews » kellyandrewspoetry.com

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A Map of the Farm Three Miles from the End of Happy Hollow Road (Porkbelly Press, 2016) by Amorak Huey » amorakhuey.net

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Pray, Pray, Pray: Poems I Wrote to Prince in the Middle of the Night (Porkbelly Press, 2015) by E. Kristin Anderson » www.ekristinanderson.com

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Apples or Pomegranates (Porkbelly Press, 2017)
by Anita Olivia Koester » anitaoliviakoester.com

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Set the Garden on Fire (Porkbelly Press, 2015)
by Chen Chen » chenchenwrites.com

  • When I Grow Up I Want to Be a List of Further Possibilities (BOA Editions, 2017) reviewed by James Davis May via The Rumpus.
  • Chen released the inaugural issue of Underblong, the online mag he co-edits.

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The Girl (Porkbelly Press, 2017)
by Donna Vorreyer » donnavorreyer.com

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Dreamland for Keeps (Porkbelly Press, 2018)
by Sarah Nichols

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April Bacon

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Dreamland for Keeps (Porkbelly Press, forthcoming)
by Sarah Nichols » @onibaba37

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Ghost Skin (Porkbelly Press, 2016)
by Wren Hanks » tumblr

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Feeding the Dead (Porkbelly Press, 2017)
by M. Brett Gaffney »

  • Feeding the Dead is delightfully reviewed at Rust+Moth.

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Mexicamericana (Porkbelly Press, 2017)
by Eloisa Amezcua » eloisaamezcua.com

  • Mexicamericana is now available for pre-order! Free domestic shipping with pre-order & use of coupon code AMEZCUA. Offer expires May 29th.

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My Own Strange Beast (Porkbelly Press, 2017)
by Melissa Atkinson Mercer

  • My Own Strange Beast is now available for pre-order! Free domestic shipping with pre-order & use of coupon code STRANGEBEAST. Offer expires May 8th.

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Set the Garden on Fire (Porkbelly Press, 2015)
by Chen Chen » chenchenwrites.com

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A Map of the Farm Three Miles from the End of Happy Hollow Road (Porkbelly Press, 2016)
by Amorak Huey » amorakhuey.net

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