Donna Vorreyer’s THE GIRL

Vorreyer’s The Girl is sharp and clear from the dedication: “To all the girls I have taught. To all the girls we once were.” These small prose poems are strung together like a chain of dolls cut from steel, each stronger for her connection to the other, but capable of claiming her own ground—each poem is a portrait of a girl, nameless. Each girl moves beyond that designation, none are just a girl, and their anonymity does not strip identity or agency. These are girls who stand where they will, treat their own wounds, heal broken things, fear little or nothing, persist in spite of, because of—”If she cries, she opens a window, knows her ghosts need a means of escape.” (Porkbelly Press, 2017) » available in our shop » more & excerpt

About the Poet

Donna Vorreyer is the author of Every Love Story is an Apocalypse Story (Sundress Publications, 2016) and A House of Many Windows (Sundress Publications, 2013) as well as seven chapbooks, most recently Encantado, a collaboration with artist Matt Kish from Redbird Chapbooks and Tinder, Smolder, Bones, and Snow forthcoming from dancing girl press. She serves as the reviews editor for Stirring: A Literary Collection and teaches middle school in the suburbs of Chicago.

» donnavorreyer.com

Cover Art

artist » Alexandra Eldridge
portfolio » alexandraeldridge.com

A Map of the Farm Three Miles from the End of Happy Hollow Road // Amorak Huey

Huey’s A MAP OF THE FARM THREE MILES FROM THE END OF HAPPY HOLLOW ROAD investigates place and the things that memory and reflection have made of it. Poems are titled after locations specific to a farm where the speaker played as a child. It becomes a landscape of vivid details coalescing into a map of the self, an ever deepening investigation of recollection & the things we carry with us. (Porkbelly Press, 2016) » excerpt & more

about the poet

Amorak Huey is author of the poetry collection Ha Ha Ha Thump (Sundress, 2015) and the chapbook The Insomniac Circus (Hyacinth Girl, 2014). After more than a decade as a newspaper journalist, he teaches writing at Grand Valley State University in Michigan. His writing has appeared in The Best American Poetry 2012, The Cincinnati Review, The Collagist, Menacing Hedge, Brevity, and many other journals.

about the cover art & artist

Alexandra Eldridge » http://alexandraeldridge.com
“The Field Opens” (mixed media, 24 x 24 inches)

Alexandra Eldridge, born of artist parents, received her BA in Art and literature at Ohio University. She co-founded an establishment for the arts, Golgonooza, based upon the philosophies of William Blake. She has had over 40 solo shows, and has participated in many group shows throughout the U.S. as well as many international exhibitions.

 

Ghost Skin // Wren Hanks

Wren’s GHOST SKIN is a haunted little chapbook about identity and ancestry, at once a eulogy for what is lost, a grandmother, and a falling away of the past self, a transition into new-self. The language is lush and image-heavy, speaking of moon jellies, trumpet vines, and red feathers—Gorgons and thistles and bones. Divine with this speaker, discover the things embedded into their skin like memory, rooted deep and blooming. (Porkbelly Press, 2016) » excerpt & more

about the poet

Wren Hanks is the author of Prophet Fever (Hyacinth Girl Press). A 2016 Lambda Emerging Writers Fellow, their poetry appears in Gigantic Sequins, Drunken Boat, Bone Bouquet, Permafrost, and elsewhere. They are an Associate Editor for Sundress Publications and live in Brooklyn with their girlfriend and two difficult cats.

cover & art

The cover is inkjet printed on premium matte paper. It’s trimmed down to just under 6 1/4 x 5 1/4 inches and bound by hand with heavy thread.

“One’s Destiny Always Arrives”
artist » Alexandra Eldridge
portfolio » alexandraeldridge.com