A Map of the Farm Three Miles from the End of Happy Hollow Road // Amorak Huey

Huey’s A MAP OF THE FARM THREE MILES FROM THE END OF HAPPY HOLLOW ROAD investigates place and the things that memory and reflection have made of it. Poems are titled after locations specific to a farm where the speaker played as a child. It becomes a landscape of vivid details coalescing into a map of the self, an ever deepening investigation of recollection & the things we carry with us. (Porkbelly Press, 2016) » excerpt & more

about the poet

Amorak Huey is author of the poetry collection Ha Ha Ha Thump (Sundress, 2015) and the chapbook The Insomniac Circus (Hyacinth Girl, 2014). After more than a decade as a newspaper journalist, he teaches writing at Grand Valley State University in Michigan. His writing has appeared in The Best American Poetry 2012, The Cincinnati Review, The Collagist, Menacing Hedge, Brevity, and many other journals.

about the cover art & artist

Alexandra Eldridge » http://alexandraeldridge.com
“The Field Opens” (mixed media, 24 x 24 inches)

Alexandra Eldridge, born of artist parents, received her BA in Art and literature at Ohio University. She co-founded an establishment for the arts, Golgonooza, based upon the philosophies of William Blake. She has had over 40 solo shows, and has participated in many group shows throughout the U.S. as well as many international exhibitions.

 

Pushcart Prize Nominations

We’re very pleased to announce our Pushcart Prize nominations for 2016. Congratulations to the nominees, and thank you so much for sharing in your poetic journey with us. (All of our nominations this year are poems.) We’ve pulled works from our micros, chaps, lit mag, and anthos:

from our chapbooks & micros

“from her mouth” from bindweed & crow poison: small poems of stray girls, fierce women (Porkbelly Press, 2016) by Robin Turner

“Sawaruna [“Do Not Touch”]” from hiku [pull] (Porkbelly Press, 2016) by James A. H. White

“The Pond in the Corner of the Yard” from A Map of the Farm Three Miles from the End of Happy Hollow Road (Porkbelly Press, 2016) by Amorak Huey

from our lit mag, Sugared Water, #005

“When I Grieve” by Wren Hanks : also appears in slightly different from in Ghost Skin (Porkbelly Press, 2016)

“According to My Father Peaches Ward Off Spirits” by Su Cho

from our anthology SKY+SEA

“Love Letter to Galileo: Axis” by Stacey Balkun

hiku [pull] (James A. H. White)

James A. H. White’s work feels at once breathless and intense, reaching to capture vivid blooms of a life-history in poems grown so intricately together that they’re tangled, almost inseparable. It is the story of mother and father, of identity and travel and seeking and ghosts both behind and before. This is a tessellation of light, color, memory and story, a gay son fitting the pieces of self together and offering it up in poems. Each poem feels like a secret, each leaves you wanting more. (Porkbelly Press, 2016) // available in our shop

about the poet

James A.H. White earned his M.F.A. in Creative Writing with a concentration in Poetry from Florida Atlantic University. A winner of the 2014 AWP Intro Journals Project award in Poetry, his writing appears in Colorado ReviewGertrudeHermeneutic ChaosCha, and DIAGRAM, among others. Born in Surrey, England, James currently resides in South Florida, where he teaches creative writing and serves as an editor for 3Elements Review.

cover & art

The cover is inkjet printed on premium matte paper. It’s trimmed down to just under 6 1/4 x 5 1/4 inches and bound by hand with heavy thread.

Nicci Mechler » portfolio
“Jasmin on Red”
acrylic on paper& 9×12 inches

Poems for Ivan (Sara Adams)

 

Poems for Ivan is a journey through the language, mausoleums, and barbed-wire-lined tracks against the backdrop Ukraine, via trains and walking and food. Ivan is the guide at first, it seems, but that isn’t all. The more beer consumed, the deeper the journey goes. With roasted meat and sharp sticks, through intimate conversation, packs of dogs and lights in the distance, Adams keeps you walking with her narrator and Ivan, racing through this cluster of poems and re-reading—you’ll likely devour it in one sitting as we did, just to find out how it ends, go back for more and share it. If it ends, that is—look for more of her work; you will not be disappointed. (Porkbelly Press, 2016) » more info

about the poet

Sara Adams is a Montessori teacher in Portland, Oregon. She has work in literary magazines such as tNY Press’s Electronic Encyclopedia of Experimental Literature, and/or, Shampoo Poetry, and DIAGRAM. She co-wrote a full-length New Translation of Twilight with Greg Petrovic, which is available at www.fredwardbound.com. Links to publications and contact info at www.kartoshkaaaaa.com.

cover & art

The cover is inkjet printed on premium matte paper. It’s trimmed down to just under 6 1/4 x 5 1/4 inches, and bound by hand.

Artist:
Nicci Mechler » portfolio
“Mausoleum Candles”
gouache on paper, 9×12 inches

Everything I Own (Angela Just)

everything

Everything I Own by Angela Just (cover: Nicci Mechler)

These poems are about storytelling, things handed down and examined, from the gifts a mother might give to her daughter to the embrace of two Neolithic skeletons. This micro is intimate and brave—a little wicked, a bit bruised. Ultimately, Just’s poems are darn intriguing. (Porkbelly Press, 2016) // more on this micro

about the poet

Angela Just grew up surrounded by quiet cemeteries and tiny woods dark and deep. That, along with her Italian-American and Catholic upbringing, encouraged introspection, observation, and alternating seizures of guilt and rapture. She writes lakeside in Chicago from the 10th floor of a distinctively pink building.

cover & art

The cover is inkjet printed on premium matte paper. It’s trimmed down to just under 6 1/4 x 5 1/4 inches, and bound by hand. Cover art by: Nicci Mechler » damnredshoes.wordpress.com

Rooted by Thirst (Tina Mozelle Braziel)

Rooted by Thirst, Tina Mozelle Braziel’s chapbook of poems, is meditation and journey, a circumbulation of this plot of land that reveals pieces of speaker and landscape—a sense of place both had and longed for. Each poem yearns; each page deepens, roots curling into ready loam. The final poem of this book is one of the strongest we’ve yet chosen—it closes and opens at once, spiraling off like light slipping across a field to flash over all that’s hidden in the rest of the day. In the gold, all things are possible. // available in our shop // learn more

Cover art by Kathleen Piercefield.