August’s Bacony Goodness

News, publications, reviews, & good stuff from our Porkbelly family:

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A Map of the Farm Three Miles from the End of Happy Hollow Road (Porkbelly Press, 2016) by Amorak Huey » amorakhuey.net

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Set the Garden on Fire (Porkbelly Press, 2015)
by Chen Chen » chenchenwrites.com

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Ghost Tongue (Porkbelly Press, 2016)
by Nicole Rollender »  www.nicolerollender.com

  • “The Luster of Everything I’m Already Forgetting” won the 6th annual Gigantic Sequins Poetry Contest!
  • Nicole’s collection Louder Than Everything You Love is now available via Five Oaks Press.

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The Girl (Porkbelly Press, 2017) by Donna Vorreyer

  • “The Lost Art of Giving Up” appears in Glass.

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Dreamland for Keeps (Porkbelly Press, 2018) & How Darkness Enters a Body (Porkbelly Press, 2018) by Sarah Nichols

  • three of Sarah’s Black Dahlia erasure poems, “Her Lost Days,” “Hollywoodland,” and “The Prettiest Star” are up at Rag Queen Periodical.
  • Sarah’s micro chapbook, How Darkness Enters a Body, is forthcoming in 2018.

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My Body Is a Poem I Can’t Stop Writing (Kelly Lorraine Andrews)

My Body Is a Poem I Can’t Stop Writing is a body-confessional, an investigation of body in pleasure, in darkness, in touching, alone, medicated, in treatment, in sickness, in losing, in ashes, in poem. “It’s all real, and I can’t keep / anything private.” Intimacy is what is offered here, an unflinching look into the private, sometimes quiet moments of a body. “When I look in the mirror, I can’t stop looking.” In this micro chapbook of poems, we look with her. (Porkbelly Press, 2017) » more info & excerpt

ABOUT THE POET

Kelly Lorraine Andrews’ poems have appeared or are forthcoming in PANK, Prick of the Spindle, SELFISH, and IDK magazine, among others. She is the author of the chapbooks The Fear Archives (Two of Cups Press), I Want To Eat So Many Kinds of Cake With You and Mule Skinner (both from Dancing Girl Press). Recently, she graduated from the University of Pittsburgh’s MFA program in poetry. She co-edits the online journal Pretty Owl Poetry and curates its Pittsburgh reading series. Additional information about her publications, along with a slideshow of her cats, can be found at kellyandrewspoetry.com.

ABOUT THE COVER ARTIST

Jessica Earhart » themedialuna.com

July’s Hot Summer Bacon

Good news, happenings, releases, reviews (& more) from our Porkbelly family:

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Ghost Tongue (Porkbelly Press, 2016)
by Nicole Rollender » www.nicolerollender.com

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MEXICAMERICANA (Porkbelly Press, 2017)
by Eloisa Amezcua » www.eloisaamezcua.com

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My Body Is a Poem I Can’t Stop Writing (Porkbelly Press, 2017)
by Kelly Lorraine Andrews » kellyandrewspoetry.com

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Dry Spell (Porkbelly Press, 2016)
by Patrick Kindig » pdkindig.wordpress.com

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Pray, Pray, Pray: Poems I wrote to Prince in the middle of the night (Porkbelly Press, 2015) by E. Kristin Anderson » www.ekristinanderson.com

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A Map of the Farm Three Miles from the End of Happy Hollow Road (Porkbelly Press, 2016) by Amorak Huey » amorakhuey.net

  • Amorak’s second full length collection, Boom Box, will appear in Sundress Publications’ 2019 catalog!

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Dreamland for Keeps (Porkbelly Press, 2018)
by Sarah Nichols

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Love Me, Love My Belly zine no. 3

Love Me, Love My Belly is a half-size zine composed of art, creative nonfiction, and poetry—an annual print zine dedicated to the acceptance of self and imperfection as beauty. It’s about the space between us, our differences, our scars, our wobbly bits, and our power as it relates to the bodies we live in. » available in our shop

CONTRIBUTORS

Kelly Lorraine Andrews, Sossity Chiricuzio, Brendan Gillett, Nicole Havekost, Cathy Immordino, Sonja Johanson, Negesti Kaudo, Laurie Kolp, Mandem, Caroline Plasket, and Molly Raynor.

COVER & BINDING

Our cover art for this issue is a hypermobility study by artist Mandem.

LMLMB no. 3 is handbound by Nicci using heavy thread. Cover: inkjet printed on matte paper. Guts: laser printed on bright white, 24# paper.

Eloisa Amezcua’s MEXICAMERICANA (poetry)

Eloisa Amezcua’s Mexicamericana becomes both a demarcation and blurring of the line between states, identities, culture, and selves. This meeting-place is investigated in mother/daughter, English/Spanish, citizen/citizen—how these things are seen from outside as separate, but are quite entangled—how a  woman finds her way walking with both, whatever the two may be, “furious and alive.” The river does not separate places—it touches both and nourishes both. This collection borrows its epigraph from Alberto Ríos: “The border is a line that birds cannot see.” (Porkbelly Press, 2017) » more info & excerpt

about the poet

Eloisa Amezcua is an Arizona native. She is the author of the chapbooks On Not Screaming (Horse Less Press) and Symptoms of Teething, winner of the 2016 Vella Chapbook Prize from Paper Nautilus Press. Eloisa is the founder/editor of The Shallow Ends: A Journal of Poetry. You can find her at www.eloisaamezcua.com.

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Sharmon Davidson » sharmondavidson.com

June’s Bacony Goodness

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Dry Spell (Porkbelly Press, 2016)
by Patrick Kindig » pdkindig.wordpress.com

  • 3 poems in yalobusha review :  “Prayer of Commendation,” “Boys’ Time,” & “Cento.”
  • presto“—a gorgeous poem—appears in the inaugural issue of Underblong.
  • … which inspired a micro review from Joyce Chong via wildness!

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Ghost Tongue (Porkbelly Press, 2016)
by Nicole Rollender » www.nicolerollender.com

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MEXICAMERICANA (Porkbelly Press, 2017)
by Eloisa Amezcua » www.eloisaamezcua.com

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bindweed & crow poison: small poems of stray girls, fierce women (Porkbelly Press, 2016) by Robin Turner » website

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Strangest Sea (Porkbelly Press, 2015) &
The Peace of Wild Things (Porkbelly Press, 2015)
by Ariana D. Den Bleyker » arianaddenbleyker.com

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My Body Is a Poem I Can’t Stop Writing (Porkbelly Press, 2017)
by Kelly Lorraine Andrews » kellyandrewspoetry.com

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A Map of the Farm Three Miles from the End of Happy Hollow Road (Porkbelly Press, 2016) by Amorak Huey » amorakhuey.net

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Pray, Pray, Pray: Poems I Wrote to Prince in the Middle of the Night (Porkbelly Press, 2015) by E. Kristin Anderson » www.ekristinanderson.com

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Apples or Pomegranates (Porkbelly Press, 2017)
by Anita Olivia Koester » anitaoliviakoester.com

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Set the Garden on Fire (Porkbelly Press, 2015)
by Chen Chen » chenchenwrites.com

  • When I Grow Up I Want to Be a List of Further Possibilities (BOA Editions, 2017) reviewed by James Davis May via The Rumpus.
  • Chen released the inaugural issue of Underblong, the online mag he co-edits.

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The Girl (Porkbelly Press, 2017)
by Donna Vorreyer » donnavorreyer.com

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Dreamland for Keeps (Porkbelly Press, 2018)
by Sarah Nichols

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May’s Good Stuff

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My Own Strange Beast (Porkbelly Press, 2017)
by Melissa Atkinson Mercer

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A Map of the Farm Three Miles from the End of Happy Hollow Road (Porkbelly Press, 2016)
by Amorak Huey » amorakhuey.net

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Ghost Tongue (Porkbelly Press, 2016)
by Nicole Rollender » nicolerollender.com

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Haunting the Last House on Holland Island, Fallen into the Bay (Porkbelly Press, 2016)
by Sarah Ann Winn » bluebirdwords.com

  • One of Sarah’s Holland Island pieces was nominated for WigleaF‘s long list!

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Set the Garden on Fire (Porkbelly Press, 2015)
by Chen Chen » chenchenwrites.com

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My Heart in Aspic (Porkbelly Press, 2015)
by Sonya Vatomsky » www.sonyavatomsky.com

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Feeding the Dead (Porkbelly Press, 2017)
by M. Brett Gaffney » blog

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bindweed & crow poison: small poems of stray girls, fierce women (Porkbelly Press, 2016)
by Robin Turner

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Ghost Skin (Porkbelly Press, 2016)
by Wren Hanks » tumblr

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hiku [pull] (Porkbelly Press, 2016)
by James A. H. White

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Strangest Sea (Porkbelly Press, 2015) &
The Peace of Wild Things (Porkbelly Press, 2015)
by Ariana D. Den Bleyker » arianaddenbleyker.com

  • Ariana has two new pieces in May’s beautiful issue of Hermeneutic Chaos.

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Dry Spell (Porkbelly Press, 2016)
by Patrick Kindig » website

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