November’s Crisp, Bacony Goodness

Good stuff (news, noms, etc) from our contributors, authors, poets:

Ghost Tongue (Porkbelly Press, forthcoming 2016)
by Nicole Rollender //

“However,” he said, “there’s always going to be what we call ‘ghost glass,’” tiny, iridescent pieces of the shattered window that will appear like tiny stars on the floor mats and seats.


Pray, Pray, Pray: poems I wrote to Prince in the middle of the night (Porkbelly Press, 2015)
by E. Kristin Anderson // @ek_anderson

I scribble out most of my first drafts into a notebook and leave them there at least overnight, if not for a few days, before typing them up. […]The linebreaks tend to show up as I’m typing up the drafts, whether I wrote the first draft in a notebook, or on the back of an envelope. […]  I have a lot of poems that were written on the back of junk mail.  |  more at Speaking of Marvels


hiku [pull] (Porkbelly Press, forthcoming 2016)
by James A. H. White // @jamesahwhite


bindweed & crow poison: small poems of stray girls, fierce women (Porkbelly Press, forthcoming in 2016)
by Robin Turner


Threnody (Porkbelly Press, 2014)
by Laura Madeline Wiseman // @drmadwiseman

  • Madeline has launched a new website to house her interviews with folks re: chapbooks, an extension of her blog feature. The new site is called The Chapbook Interview.

The Chapbook Interview publishes interviews about the chapbook as a genre, art form, and vessel for creative work. Interviews explore all aspects of chapbook craft, including sequencing poems, chapbook design and layout, and collaborations. Interviewees include teachers of the chapbook and students of the chapbook, writers, poets, designers, editors, and collaborators. | more

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